Ceramics: Art and Perception

Ceramics Art + Perception sets the international standard for high quality journals dedicated to ceramic art. With a total of 120 pages, each issue contains approximately 25 substantive reviews, essays and features, covering a broad range of issues related to the field. The magazine is printed in full-colour with high-res images supporting each text. Ceramics Art + Perception continues to deliver you the best critical writing from around the world since 1991.

Ceramics: Art and Perception

Highlights of Formation: the 2025 NCECA Conference in Salt Lake City, Utah

Interview: David Ray

The Wildness of Clay

South African Clay Awards • Clay Museum, Nov - Dec 2024

Mike Dodd: A Life of Looking

Craftscape

Melanie Brown: The Familial in Teapots

Always the Bridesmaid: Still Life in Clay

Gregory Pierce Beneath, Betwixt, Between

Social Ideology in Ceramic Art

Kate Malone: The Last Decade

The Language of Clay: Multiple Identities and Cultural Narratives in the International Shiwan Cup Youth Sculpture and Ceramic Art Exhibition • October 13, 2024 to February 28, 2025 at the Meitao Bay ·Xingguanghui Art Museum, China

Jiha Moon:"Fool’s Moon" at Derek Eller Gallery, New York

The Legacy of Mesopotamia: A Transformation from Glazed Brick to Modern Art Practices

Another Brick in the Wall

The 25th anniversary of the Winifred Shantz Award for Ceramics

Mandarin Porcelain: The Image Construction of Chinese Confucian Aristocracy in 18th-Century Europe through Cultural Transcreation

The Asymmetry of the Korean Moon Jar

Power Platform: Reinhold Rieckmann’s Imaginary Classical Period

Shida Kuo “Work 1993-2023” at Nunu Fine Art, New York

Ceramics Technical

Exploring Fast Firing Techniques in a Soda Kiln

Q&A: Glaze Additives

Q&A: Trimming Defects

In-Mold Glaze and Slip Applications in Ceramics

The Illusion of Ke Hegen’s Glazes